this post was submitted on 17 May 2024
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[–] [email protected] 1 points 4 months ago (3 children)

It's almost like low quality mechanisation is something that should be resisted. I wonder where I've heard that before...

[–] [email protected] 2 points 4 months ago (3 children)

You heard it from traditional artists when the camera was invented

[–] [email protected] 1 points 4 months ago (1 children)

And birthed impressionism as a result. These are tools, artists will adapt.

[–] [email protected] 0 points 4 months ago (1 children)

And if they can't compete with the soulless generic crap that ai spits out, they probably shouldn't be artists

[–] [email protected] 1 points 4 months ago (1 children)

Everyone should be an artist. It doesn't have to be professionally but everyone should be creating something.

[–] [email protected] 2 points 4 months ago

If they're not doing it for a living they don't have to compete with anyone, least of all AI

[–] [email protected] 1 points 4 months ago (1 children)

Every gallery in the world did not rush out to exhibit every submitted photograph with no curation or quality filter when photography was invented

[–] [email protected] 1 points 4 months ago

A physical gallery has limited wall space. A website does not. Ai art should just be tagged as such, so it can be filtered

[–] [email protected] 1 points 4 months ago

And photographers when Photoshop was invented

[–] [email protected] 1 points 4 months ago

yOuRe GaTeKePiNg!!!

[–] [email protected] 0 points 4 months ago (1 children)

As the photographic industry was the refuge of every would-be painter, every painter too ill-endowed or too lazy to complete his studies, this universal infatuation bore not only the mark of a blindness, an imbecility, but had also the air of a vengeance. I do not believe, or at least I do not wish to believe, in the absolute success of such a brutish conspiracy, in which, as in all others, one finds both fools and knaves; but I am convinced that the ill-applied developments of photography, like all other purely material developments of progress, have contrib­uted much to the impoverishment of the French artistic genius, which is already so scarce. It is nonetheless obvious that this industry, by invading the territories of art, has become art’s most mor­tal enemy, and that the confusion of their several func­tions prevents any of them from being properly fulfilled.

― Charles Baudelaire, On Photography, from The Salon of 1859

[–] [email protected] 1 points 4 months ago

have contrib­uted much to the impoverishment of the French artistic genius, which is already so scarce.